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Long-form documentaryIf you make long-form video

Johnny Harris — “Flying Money”

A 33-minute investigative documentary on how dirty money crosses borders — the flagship depth test: every frame, scene and technique.

length
33:17
scenes
640
scenes / min
19.2
signature cuts
46
Summary
The script
The Cuts
The blueprint
Look & frames
Sound
Cast & World
The read

What this video is doing

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The script

How it’s built

“The video opens with a mysterious statement about 'ghosts' and authorities not seeing anything, then immediately introduces a bag of $100,000, posing a dilemma about spending 'dirty money' obtained from selling drugs, creating immediate intrigue and a sense of illicit activity.”the opening hook

The video begins with a captivating hypothetical scenario involving $100,000 in 'dirty money' from drug sales, quickly revealing it's a setup to introduce the global problem of money laundering and the vast scale of criminal proceeds. It then delves into 'flying money,' an invisible system connecting organized crime worldwide, explaining its mechanics and impact, before transitioning to a sponsor message about data privacy, which is framed as a related 'invisible market' problem.

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The cuts

Signature cuts 46 cuts

The repeatable moves behind the video — each with the shot, the scenes it spans, and a paste-ready recreation recipe.

Cut 01
Tactile Close-Up Product Reveal
Extreme close-up shot of hands manipulating or holding a physical object, emphasizing texture and material detail. Static frame held for 3 seconds without animation, creating intimate product focus.
3 scenesmedium~10s
close-upproducttactileevidence
How to recreate
Position camera 6-12 inches from subject. Use macro lens or close focus. Light to emphasize surface texture. Frame hands and object filling 80% of frame. Hold static for 3 seconds. No movement or effects.
Cut 02
Environmental Portrait Wide Establishing Shot
Wide-angle shot of a single person positioned in a natural or urban landscape, establishing geographic or contextual setting. Subject occupies 20-30% of frame with environment dominating composition.
3 scenesmedium~10s
wide-shotlocationportraitcontext
How to recreate
Use wide-angle lens (24-35mm). Position subject off-center in landscape. Ensure environment is recognizable and relevant. Shoot at golden hour or natural daylight. Hold 3-6 seconds. No animation.
Cut 03
Aerial Map Connection Line Animation
3D animated world map viewed from above with glowing or colored lines connecting two or more geographic points. Moderate animation speed reveals connections over 3 seconds with location labels.
3 scenesmedium~10s
mapanimationgeographyconnection
How to recreate
Create 3D globe or flat map in After Effects or similar. Add animated line drawing from point A to point B over 2-3 seconds. Include location labels that appear with line. Use contrasting color (red, blue, or white). Maintain aerial perspective throughout.
Cut 04
Heavy Network Radiation Animation
Animated map showing multiple glowing lines radiating outward from a central point across a dark background. Heavy animation intensity with 6+ simultaneous line animations creating network effect.
3 scenesmedium~10s
mapheavy-animationnetworkradiation
How to recreate
Start with dark background or map. Create central node/point. Animate 6-12 lines radiating outward simultaneously using staggered timing. Use glowing effects (glow, blur). Duration 3-6 seconds. Vary line thickness and opacity for depth.
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The other 42 cuts — each with its shot, the scenes it spans and the paste-ready recreation recipe.
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Scene breakdown
What’s on screen
6 shot types
640scenes
static image39%
map34%
text overlay18%
animation4%
diagram3%
transition2%
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The camera-language breakdown and the full production build sheet — total scenes, animated vs static, dominant style and angle.
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Look & colour
The palette pulled from the cut
The signature colours carrying the mood — match these to land the same on-screen feel.
#cc223301
#1a1a1a02
#ffffff03
#c0392b04
#f0f0f005
#8b202006
The footage
666 frames sampled
frameframeframeframeframeframe
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All 666 sampled frames, each with its scene type, camera angle and palette.
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The complete sound design — assembly order, music segments, SFX events and signature moves.
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Cast & world

Who & what’s in it 3 people · 4 places · 11 objects

Man with beard and short blonde hair in white shirt
main · 8×
Older man with glasses in light blue shirt
supporting · 3×
Man with beard in blue shirt
supporting · 2×
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All 3 people, 4 places and 11 objects — each with their frames.
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